Saturday, January 19, 2013

Brief Encounters: The Blue Angel and a man from Oz


My mother worked with The Terrence Higgins Trust, an HIV hospice in London, when she retired from teaching art. She would tell me tales of her experiences over tea. It had proven to be an enlightening process discovering upon her retirement the whole gamut of sexual escapades men can get up to in the wee hours of night.

However, one such tale inspired me. It inspired my mother to. I remembered it to a friend the other day,who is HIV positive and was depressed.

It was a mild autumn afternoon in London many years ago, long before I moved to the United States. We sat in the bay window of my parents Edwardian terrace apartment. My mother poured the tea and lit a cigarette.

"I met an amazing Australian man the other day. He came to give a talk at the Trust. I spoke with him after wards he told me of his life. He was, he said, everything gay men loved. He was tall, muscular blond, and rugged. He was the 'golden boy', everyone wanted him and everyone had him. Life was good he had said", she told me as she drank her tea.

I imagined him to be like the image I posted. This is not the guy am discussing, it is my impression.

"He told me he discovered he was HIV positive. He grew sick very quickly and the doctors saw no hope. He said he became very thin and he was ailing. He decided to return to Australia to die. He wanted to spend time with his family and say farewell in peace. It seemed sad, such a beautiful man, since he was so young at this moment in his life. He was very handsome, men and women would desire him I dare say", she said drawing on her cigarette and pausing to look out of the bay windows.

"So, he went home and reunited with his family. Then entered a hospice skeletal thin, waiting for death to take him from life. His beauty gone, and so too the men who adored him. Laying there one night a kind nurse in a neat blue uniform came into his room and chatted with him. He said the nurse put her hand on his shoulder and that brought him immense peace. She looked at him silently with the eye's of a mother to her child and said " Everything will be alright with you. You will be fine. Peace my son". And then, he said she left," my mother said. She paused and was thoughtful. She took a puff of her cigarette.

"He said he slept so peacefully that night and continued to do so. And each subsequent morning his health kept improving, until one day he he left the hospice and his beauty returned. He glowed. He glowed still, he even glowed on the day he came to the Trust," mother said.

"What did he say he thought happened ?", I asked.

"Well, that  following morning he woke up and asked the day nurses who the lovely night nurse in the blue uniform was. He did not know her name. She never gave him one. He asked after her as he wanted to thank her. The nurses were perplexed and said there was no nurse like that in duty. But, more importantly, all uniforms were white. That the last time they were blue was 50 yars ago," mother said, sipping tea.

"No one knew who this nurse was. He said he felt she was his angel, that in her touch he was healed. That as he left the hospice he would devote his life, now restored, to spreading a message of hope, even when at deaths door. And so he traveled to London to share his story," mother said drawing a deep puff of her cigarette and sipped her tea.

We both looked out of the bay window onto the street below. The faded autumn leaves hung limp on the trees lining it.

 I thought him the other day and spoke of him to my friend. As the tears filled his eyes and he said,
" I needed to hear that". I did not inquire further and gave him a hug saying, "well, am glad I shared it with you then".

So, I thought I would pass along this Australian mans story as I do not know who it will inspire or why. It is not my story, am just the narrator, and not important in this equation, but the message is.

Cheers to hope !..and to nurses in blue uniforms.


Peace,


Friday, January 18, 2013

Brief Encounters: a fat girl and a big plastic rose on the bus



Every morning I take a bus to school and every morning a familiar bunch of strangers appear each day. One morning,as I was standing on a full bus, I noticed an ugly big pink plastic rose, with awful green plastic leaves, perched on top of a very fat unattractive woman's head. Her greasy mousy brown hair, with flecks of gray, was tied in a ram shackle bun, upon which sat this big bright rose. Her face was bloated, the skin sallow, the eyes sunken, under which puffy bags hung. She wore a gray cheap flannel hoodie and sweat pants, faded, stained and worn. Her corpulent flesh sat in roles. And, that fabric she wore was not flattering her figure at all.

She sat alone, looking down, of indeterminate age, and never looked at anyone. My first thought was how awful she looked. I was very critical and thought she probably smelled. I had no proof of it, it felt like she would. I felt a mild distaste for her and a strange sympathy. I got off the bus and paid no heed to my thoughts about this stranger and her big pink plastic flower perched on her head. I forgot her.

I had not seen this woman in ages. But, the other day as I was walking along the street I suddenly thought about this woman and her flower. Why was she on my mind ?, I pondered. Why am I thinking about this poor, fat, ugly woman with no taste in clothes, and who is always alone on a bus stuck on my mind ?. And, my mind focused on that flower in particular.

It is true that her big pink flower made me notice her. She wore it everyday, no matter what. And then it struck me that her rose made her special. It made her beautiful. It is all she had to feel pretty. At least that is what it seemed to symbolize seeing her each morning on the bus. Also, given her attire it is all I think she could afford.

I could not shake this total stranger from my mind. On relfection that cheap plastic pink rose made her feel beautiful no doubt. I know am projecting my own narrative, but it serves a greater purpose. I saw beauty in her. Her flower made me see her very human desire to feel beautiful. No man was buying her gifts from Cartier. She had the aura of one who has been burned by life, not celebrated by it.

Yet, it is a very human need to feel beautiful and in turn to feel worthy of love. She may well be poor, fat, unkempt and maybe unloved. But, that big pink plastic flower sat on her greasy hair and shone bright. It said, to me, " here I am, I am not invisible. I may be cheap and plastic, but am beautiful.See me ."

It was her only claim to beauty. It was not my right to remove that. In fact,  she made me a better person that day and the subsequent days I saw her in retrospect. Why ?, because beauty resides in many things.  They are not always obvious to the naked eye. There are layers to beauty. When next I see her I will no longer see an ugly fat woman with no taste, but rather a fellow human being, no better or worse then I, who wants to feel beautiful, to be seen and to feel loved, just as I do and as you do. She and her big plastic rose touched my heart, opened my eyes and she will never know that - a familiar stranger.

Peace

Sunday, January 13, 2013

Sunday Style section of The Chronicle- My article on Rodney Smith

Rodney Smith's photography draws the viewer into an extraordinary world: a bygone era that is darkly romantic, whimsical yet ironic, surreal yet classically beautiful.
"Rodney Smith is a realist who puts dreams onto paper," says Jiun Ho. The designer, whose gallery and design studio are called Jiun Ho De Jia (the House of Jiun Ho), chose to exhibit Smith's photographs because it's part of the space's mission of "creative expressions from around the world."
"His photographs look as if they were born out of an earlier era, as they are created with techniques from the past," Ho said.
Smith, who earned a master's of divinity degree from Yale in 1973, explores philosophical and theological themes in his work regarding our place in life. Yet he also proclaims himself to be a "closet optimist." There is a subtle irony and beauty to the work that conveys a yearning, a hope for something better for life.
Q: What is the importance of classicism, in regard to structure and balance in your creative process?
A: It represents something the world needs to be in buoyancy, or state of harmony. That the sense of proportion, scale - all those elements are about a certain resonance, when life is in proportion to the environment and the world around us. I think things become discordant, mean-spirited, vulgar when they lose this sense of proportion and graciousness that classicism aspires to. I perceive classicism to be much more about a state of man.
Q: How important is the concept of time and romance in your work?

A: The popular culture and the art that is reflected in that is much more a social statement about the world currently than it is about life, death and what we stand for as humans. I am interested in a sense of grace, real elegance, style, not in fashion modes, not of the moment, but to call forth attributes in men and woman that are long-standing and that will never go out of fashion.
Q: Would it be true to say that your aesthetic vision possesses an irony, an element of the surreal and a darkness of mood?
A: That is very astute. If you look at my work, what underlies a lot of it is my sense of melancholia. We are very small creatures in a large world. We have a lot of questions and no answers. I am left with this figure who is isolated and alone in the world. If you have that disposition about where you stand in the world and who we are as humans, I think the resolution is that you have a slightly melancholic perception of life. A wiser, more astute observation of human nature than one which is joyful and shallow. I would love the answers, but am like this figure standing on a precipice looking at the other side unable to make a leap of faith.
Q: Do the images of clocks express the transience of life?
A: Time has always been an interest. I like clocks visually and intellectually. Where we are in time makes me reflect about our being.
Q: About fashion - how does this aesthetic apply to that aspect of your work?
A: I am a 65-year-old man, and the last vestige of a time when women were perceived differently than today. Women had enormous power of allure, a mystery, grace. They were the better sex. They were adored. Men were vulgar in comparison, and crass. Women were on a pedestal. They brought out the best in men. Grace Kelly, Jackie Onassis, Audrey Hepburn, that era of women held their power, not intrinsically, but they had it, unlike men.
Jiun Ho de Jia presents Rodney Smith: Through Jan. 25. Jiun Ho Gallery, 1180 Folsom St., S.F. http://jiunhodejia.com.
Julius Lumsden is a San Francisco freelance writer. E-mail: style@sfchronicle.com